Avoiding NaNoWriMo.

Because I can't write anything inspired right now, I figure I may as well write some drabble that no one will read. :D

I might as well explain my novel, yeah? I mean, I'm spending a month writing the shit out of it (and researching as I go, which is a whole 'nother story), so I feel I should at least try and explain WHY I'm writing it.

First of all, it's been a while since I read Hunger Games and I honestly didn't have Suzanne Collins in mind when I began writing the story of Daphne the Epic Bitchy Main Character. Not that I think Katniss is a bitch. She's sort of clueless, actually. But Daphne Watercress is despicable because she's the exact opposite of clueless and she uses every bit of information she gathers to manipulate people and get her way.

I've never written a character I didn't like. Not even my villains or antagonists were all that bad in my head because I understood them psychologically. So writing Daphne is a really strange experience. There's literally nothing I like about her. Except her best friend, Walker. Poor, poor Walker. Everyone loves him. I made him universally lovable on purpose so that when his heart breaks, the reader's heart breaks, too. And when he gets nommed on by a snake, the reader's right there with him writhing in the dirt while Daphne does her best to suck out the poison and fails. And when he gets sad about leaving his family behind, the reader's sad, too, even though they don't ever meet his family in the story.

It's a tragedy, really. I really wish Walker could be the one to change Daphne, and in the end he sort of is. But it's actually Logan--fabulously flawed Logan--who makes her realize how terrible she is. He's the one that silently pushes her to apologize for the first time in her life. How does he push her? By being just as HORRID as she is. Once she gets stuck with someone so much like her, she finally sees how big a bitch she is. It takes her a long time, but it does eventually happen. And when she tries to make things right, it's too late. Because, let's be realistic. I hate realistic endings, though (but I can't help but adore Sarah Dessen - damn her), so I designed it to be a little more governmentally twisted and somewhat hopeful. Sort of just like Mockingjay.

I apologize to Suzanne Collins for accidentally stealing your claim on bittersweet hope. Sort of.

So, basically, I didn't tell you anything about my story. Here's the main story line:
It hasn't rained for 30 years and the citizens of America have been split up over the country into tribes.
Daphne's mom gets married to the future leader of the tribe which gets Daphne pissed.
Daphne plans to run away with Walker once she discovers there's a city nearby.
The two of them embark on a long ass walk through desert, mountain and national park to get to Sacramento.
Walker gets holed up in the hospital and Daphne ditches him to go be a charity case foster kid to some middle class family after meeting Logan.
Walker gets out of the hospital and stalks Daphne until she's forced to talk to him.
Logan overhears them talking and "invites" them back to his place where a cornucopia of secrets is revealed.
Some shit happens and Walker decides to go on his own back to the tribe. Daphne goes with him and she brings Aunt Eadie back, but leaves Walker there.
More shit happens.
Three years pass and the government falls.
Daphne breaks up with Logan and returns to her tribe to try and convince them to move to the city. They chase her out of the camp.
She conspires to kill her baby half brother, but when she goes into the camp to do it, she's thrown into 'jail' and finds Logan already tied up there.
Walker helps them escape, gathers up his family and goes back to the city with Daphne and Logan.
All is well. Sort of.

That's the HIGHLY WATERED DOWN version. Go read my posts on Nicole's wall if you want the whole shebang. But it's only a little more informative than what I just gave you.

I don't think that really answered the "why" part of "why I'm writing this novel."
1. It's a challenge to write a character I despise.
2. It's a challenge to have every bad thing happen to the only good character in the whole story.
3. It's NaNoWriMo and when you only have 30 days to write 50,000 words, you fuckin' write whatever comes your way.
4. This is completely different from anything else I've ever written and I appreciate how unique it is (despite Hunger Games).
5. To be straight to the point, Urinetown inspired me to research Malthus and he fascinated me, the crazy old coot.

So there it is. It's called The After, but I really want to find a better name. It'll be stand alone, of course. And The After really works, but it just sounds so boring. =/

Oh well. I'll figure out the title when I finish it.

Happy NaNoWriMoing! :)